This is a medium for my case studies of visual culture. Each case study is analyzed on a scale of ten points:Raw/Clean spectrum, 2. Like or dislike, 3. Immediately aesthetically pleasing, 4. Pop or counterculture, 5. Elaboration, 6. Personal perspective, 7. Category of Art, 8. Assumed authorial intent, 9. Name of artist, 10. Context. Here I apply my knowledge of visual culture to forms of art. Covc is mostly subjective. Through analysis I express my opinions on art. Some parts are objective. For example, some artists are pop culture artists and therefore I would classify their art as pop culture. When reading these case studies it is important to understand my perspective. I am mostly interested in and stimulated by contemporary and post modern art. Photography is my favorite form of art and sculpture is my least favorite. I prefer art that is more raw than clean and am mainly interested in fashion photography and amateur works that capture everyday life without being too sloppy. I mainly draw inspiration from "I Love Fake" Magazine (http://www.ilovefakemagazine.com/), kanYe West: blog (http://www.kanyeuniversecity.com/blog/), and Sabino (http://sabino.tumblr.com/).

12th April 2010

Quote

The special qualities of oil painting lent themselves to a special system of conventions for representing the visual. The sum total of these conventions is the way of seeing invented by oil painting. It is usually said that the oil painting in its frame is like an imaginary window open on to the world. This is roughly the tradition’s own image of itself- even allowing for all the stylistic changes (Mannerist, Baroque, Neo-Classic, Realist, etc) which took place during four centuries. We are arguing that if one studies the culture of the European oil painting as a whole, and if one leaves aside its own claims for itself, its model is not so much a framed window open on to the world as a safe let into the wall, a safe in which the visible has been deposited.
— Ways of Seeing